Kat in the Hall: 1×02

Season 1, Episode 2
Airdate: Tuesday October 31st, 1989

Watch along on youtube: HERE.

The Sketches

Thirty Helens Agree 1 & Womyn sketches can be seen here & here respectively, on the Nerdist channel. Each video has an interview with Bruce and Mark after the sketch.

Recurring Characters

Cabbagehead (Bruce)

Cabbage Head (Bruce)

Thirty Helens Agree!

Thirty Helens Agree!

Buddy Cole (Scott)

Buddy Cole (Scott)

Episode two is upon us and “Thirty Helens agree” is introduced. The idea of thirty Helens in a field as a sketch concept was originally brought up by Bruce as a promo idea for Saturday Night Live. “Thirty Helens agree, Saturday Night Live is the best show ever” he says in the Nerdist interview linked above. None of the other writers liked it and so it came back with Bruce and added to the Kids’ material. Short, powerful ideas can work so well because the repetition keeps it familiar and makes the little twist that much stronger.

The sketch Sketch Comedy reminds me of an act Penn & Teller performed on Just for Laughs called ‘Sleight of Hand’ that included Penn rocking the bass (and speaking, obviously) as Teller went through and demonstrated how magicians use sleight of hand in their routines. This ‘how to’ has always interested me and seeing the anatomy of a sketch explained in such a monotone voice makes it all the more hilarious. I’ve also read that this is based on a class Bruce paid for in 1982, if this is true then money well spent.

buddycolestill“It reminds me of something that Yoko Ono once said to Malcolm X in a bistro in Rome. ‘Oh the food’s terrible. But the waiter’s hilarious.'” – Buddy Cole

The first appearance of Buddy Cole since the pilot; he’s in a bar and not an alley and he’s making us laugh and making us think. This is a sketch that I can see people being offended about. Really it’s mocking people who think such ridiculous things as a group of people being generalized as just one thing. This sketch came out in 1989 and as relevant as it was then, it’s just as relevant now when we have issues like Ferguson on the news every night. People making wide, unjustified opinions based on race still happen today.

Cabbage Head once again is a horrible person! This time we see a woman not swayed by his whining like we did in the pilot. Kevin’s character doesn’t put up with any crap even if she does offer the cringe-worthy line of “that’s such a manly drink”. (Let’s be fair, mixing alcohol with alcohol is always the smart thing to do regardless of gender.) Even though he’s not successful, at least Cabbage Head gets his head watered twice, since he was so concerned about that before.

Sarcastic Guy is a fantastic sketch.

Two episodes in and we have clever sketches like Sketch Comedy and then Womyn. Womyn is a piece that is hard to describe for me because I read it as an almost empowering-for-women sketch. There are a few oversimplifications and of course today we know that being a woman doesn’t mean you can get pregnant or have a period or any of those things. Looking at the sketch with what we know now it’s nice to see an argument about breasts are for feeding kids or PMS jokes not being funny. This was 1989, these are still relevant!

Two episodes in and the Kids are starting to find their feet and beginning to put down solid for TV sketches. We also have at least three sketches that touch on controversial material.

So what did you think about today’s episode? Were you offended by any of these sketches?

Watch on youtube? Please purchase the boxset when you are able. (amazon.com/amazon.ca/amazon.co.uk [NTSC])

Kat in the Hall: 1×01

Season 1, Episode 1
Airdate: Tuesday October 24th, 1989

The Sketches

The Eradicator & Ballet school sketches can be seen here & here respectively, on the Nerdist channel with interviews with some of the Kids after.

Recurring Characters

Headcrusher aka Mr. Tyzik (Mark)

Kathie (Bruce) & Mississippi Gary (Mark)

Where the pilot episode held some unfinished edges, this episode feels a bit more concise and put together. The cold open features Scott and Mark as Tiffany and Tabitha beginning a KITH tradition of dressing as women, not as a joke but simply to show female characters. Unlike Monty Python or Saturday Night Live the show isn’t big on playing women just for laughs, they play them like their mothers, sisters, friends and teachers. Kathie is a great example of this. The laughs don’t come from the fact that it’s Bruce dressed as a woman, it’s the banter between her and Mississippi Gary that’s funny. In fact, I would argue that Kathie is a far more interesting and in-depth female character than a lot of sitcoms have.

Now Mississippi Gary is a bit of a weird point. This is Mark McKinney playing in blackface, which I don’t agree with. It’s racist, I won’t apologize for it or say that “this was a different time” because it’s the 90’s and he’s still playing in blackface. At the same time I know that the character of Mississippi Gary will not always be played that way, they’ll drop that schtick and part of the joke will be that he’s just a white guy from Vermont. That doesn’t make it okay, it’s still a boring sketch with a couple of clever lines. While it’s not my favourite sketch and I feel like it’s a weak point in the episode, the dynamic between Gary and Kathie is clever and there’s some good harmonica playing and backing guitar.

The Eradicator is a Bruce sketch, properly weird and full of great one liners that I urge everyone to put into their day-to-day life.

“Don’t try to follow me, I have a cab waiting!” – The Eradicator

The two Headcrusher sketches start to flesh out a character that doesn’t need fleshing out at all. Mark has said in different interviews that he kept writing more story for the character even though all that was needed was ten or twenty seconds of material. Once you get the idea behind the Headcrusher anything else is just gravy. His “gag” is something we can easily imitate, it’s just a wonderful play on perspective. I think he would be an excellent Doctor Who villain, turning the world into flat heads and sparing only the occasional child who dislikes businessmen like he does.

The Pear Dream sketch is something I just can’t wrap my brain around. I don’t know whether to dislike the artsy feel of it or applaud the guts it takes to make something funny like that in such a unique style. It’s not a traditionally funny sketch either, it’s strange and a little unnerving. The first time I saw it I didn’t know where the “hook” or twist was going to come from. Either way we see Scott flexing the acting muscles he came to the troupe with even acting against a pear on a pillow.

So, what did you think? Are there any lines from this episode you find yourself quoting? Leave a comment! More Kat in the Hall on Monday!

Kat in the Hall: The Pilot (1988)

kith pilot thumbnail

Welcome to the first post for Kat in the Hall! If you’re not sure what that is: check here.

This post focuses on the “best of” pilot footage that aired on Comedy Central and is present as a DVD extra on the boxset. It is missing 15 minutes of sketches but it can viewed on Youtube here!

The Backstory – Quick Version
Kids in the Hall (KITH) is Dave Foley, Bruce McCulloch, Kevin McDonald, Mark McKinney & Scott Thompson but it started as two separate groups would come together in Toronto, Ontario. One group already living in Toronto was made up of Kevin, Dave and Luciano Casimiri. They called themselves the Kids in the Hall. A couple years later the group from Calgary, Alberta known as The Audience consisting of Bruce, Mark, Norm Hiscock, and Gary Campbell; traveled to Toronto and began playing opposite them on bills at comedy clubs. Their styles complimented each other and they merged. The Audience was gone, hello Kids in the Hall. Mark then introduced the group to Scott, the group had achieved its final form.

The group was formed but success didn’t immediately follow. Individual projects split the group (Second City shows, Bruce and Mark wrote for Saturday Night Live). They were playing shows with small audiences of maybe five or ten people and with little to no press. They were on the verge of breaking up completely but reunited to begin playing the Rivioli, a performance space on Queen Street West in Toronto. Although they continued playing small shows, a positive review came from it and SNL’s Lorne Michaels happened to see it. With his help the Kids would move to New York for five months for a “Comedy Boot Camp”, there they would get an hour-long pilot produced for HBO and CBC. CBC would air the pilot in 1988 and HBO in 1989. With the pilot finished they then came back to Canada in hopes of picking up a show. Often it takes an American crowd to make a Canadian audience sit up and take notice…
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Kat in the Hall: A New Project

Anyone who knows me or reads this blog knows I love marathoning TV shows and watching an actor’s entire filmography. I fangirl, I obsess, and often I’ll watch nothing but one TV show or fandom for weeks on end. If there’s related music to listen to as well, even better.

However, this labour of love is a solitary one and although I talk about it I don’t find it necessary to ask others along on for the journey.

Until now.

I’m starting a project on this blog, dubbed “Kat in the Hall” by myself and probably no one else (for good reason). I will be reviewing two episodes of Kids in the Hall per week, Monday and Thursday, until I’ve reviewed all 101 episodes + the pilot. I’ll be tagging them, so you can avoid them if you wish and I’ll be posting other content too but this will be my focus. I thought about starting a separate blog but decided it’s still under the umbrella of “pondering fandom”.

Comedy is best experienced with others and the goal is to share the love I’m feeling for the Kids in the Hall both as a comedy troupe and individually. There will be a breakdown of all the sketches in each episode, links so you can watch them too, background information and an overall review. There may even be a giveaway or two during the journey.

So how ’bout it, eh? It’ll be better than going to a Leaf’s game.

If you’ve seen it all before, then watch it again! The comments will be wide-open for discussion. I would love to hear stories from non-Canadians who have stumbled upon the show or people who watched when it first aired. However, I hope if you have never seen Kids in the Hall and you like sketch comedy that you’ll take a chance and join me for the ride.

Join us Monday for a review of the pilot that aired in 1988 and a brief history of how five Canadian guys with a big hand from SNL’s Lorne Michaels got an hour-long pilot on CBC.

Until then just try to ignore the oversensitive guy…

CanCon, Canadian TV aaaaaaaaand Satan!

I am proud to be Canadian. I am not always proud of Canadian things.

I can’t imagine being from anywhere else. It would be wonderful to live in Britain. My great-grandparents were from there, if there’s another country where I feel a connection it’s England and if it wasn’t for World War II my great-grandmother probably would have never left Surrey. I just can’t picture myself writing anything but “Canadian” in the nationality section of a customs form. That doesn’t mean I like Canadian things. Once bitten, twice shy and if I see something boasting that it’s Canadian I see that as “not good”, “cheap”, “or fake American.” Canada has always suffered from being in the States’ shadow and feeling the need to act out to try to stand out.

Until recently I was happy to make a “Canadian TV” joke. Canada has been the backdrop for many American movies, TV movies and TV shows. Vancouver becomes Los Angeles, Toronto becomes New York or Pittsburgh but that’s where it ends. It’s improving now, but Canadian television still has something to prove. There’s a running joke that the Maritimes are ten years behind the rest of the country, but Canadian television in the nineties looked like they should have been in the eighties. Growing up, the Littlest Hobo being an exception, I avoided Canadian media products. This wasn’t easy as we only got two English channels. The CBC didn’t play anything interesting; they tried really hard but whether it was my age or interests I avoided CBC as often as I could. Global at least carried American shows to break the monotony of news that they so often presented. Why should I be proud of this stuff? Although they said they were Canadian I didn’t see any evidence of that. It was watered down American nonsense about American things. I like American nonsense, it’s what I grew up on, but this was watered down. Growing up in the Maritimes probably didn’t help as no one seemed to talk like I or my family did and they didn’t have the same problems as us. If I had been older I think Air Farce would have been another exception. I enjoyed watching it for the physical comedy and the funny voices, but their jokes were Canadian but focused on politics and as a kid I didn’t understand them.

When I was a teenager I learned about “Cancon” aka Canadian Content, which states that Canadian radio and television broadcasters (including cable and satellite specialty channels) must air a certain percentage of content that was at least partly written, produced, presented, or otherwise contributed to by persons from Canada. In other words, to my young mind, a certain percentage of everything I watched on Canadian channels would be awful.

Fast-forward to last year: would I like to watch a Canadian sitcom called Spun Out? I was hesitant. Thanks to my family’s obsessive love of “half hour comedies” I assume anything that calls itself a situational comedy will be like “Everybody Loves Raymond” or “King of Queens”. (I’m sorry but I would rather watch paint dry!) Tack on the word “Canadian” and what hope was there for it? How could it possibly be good? I gave it a shot.

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It’s All Gone a Little Mental ‘Round Here

Disclaimer: The title… I’ve been watching a lot of Life on Mars lately. Gene Hunt is in my head and I’m totally okay with that. Also I was inspired to actually post this behemoth because of Erika’s amazing blog post on puzzles and anxiety.

Recently Bell held a “Bell Let’s Talk” Day to support mental health awareness. It raised well over six million dollars and for 24 hours it had people talking about their experiences with mental health. There is controversy surrounding where some of that money is going though, namely CAMH and Dr. Zucker and some of his practices. I won’t get into that here, I’m not equipped to talk about it but here are some links that I encourage you to read and make your own decisions. Obviously it’s too late now to take that money back if you disagree but there’s still the option of moving forward to talk about mental health. We need it when we still have people like this complete idiot from Fox News saying “bipolar disorder is a fad.” I’ve been “out” about my diagnosis for a while now. I have rapid-cycling bipolar II disorder as well as anxiety issues. I’ve been diagnosed since I was 19 and had symptoms as early as 12.

Bipolar II Disorder defined by a pattern of depressive episodes and hypomanic episodes (highs and lows), with no full-blown manic or mixed episodes requiring hospitalization that would make it type I. There is also Cyclothemia which is like bipolar II but less severe. During a hypomanic episode, you may feel euphoric, and be highly productive. You seek out high-risk pleasurable activities and have a decreased need for sleep. You talk fast but it makes total sense to you. The world seems crystal clear and all the answers are right there waiting.

Rapid cycling occurs when a person has four or more episodes of major depression, mania, hypomania, or mixed states, all within a year. Hypomania can seem pretty good and lots of people; I include myself here, don’t want to medicate at first or treat the illness and lose the “good things.” I feel very creative when I’m manic, and I feel like I can write an award-winning novel. I stay up for as long as I can and consume a lot of caffeine, “working.” First time I watched Torchwood I was manic and I watched the entire two seasons in one sitting. I suspect this is why I love Torchwood so much. Only good reason to love the cheesy bits as much as I do.

I was supposed to go to work but I didn’t. I didn’t even call in, just didn’t show up for two shifts. I almost lost my job because of it. A week later I walked out of work when I took an anxiety attack. Again no explanation but somehow I kept my job (my bosses were so understanding). I don’t see people talking about this. When hypomania turns into full-blown mania you can require hospitalization. You can believe you’re a superhero and try to jump off a building because you believe you can fly. You may run around in the middle of the night screaming how much you love your neighbours like a drunk college student, but completely sober.

You believe you are the best possible thing in the world and can take on everything. Mania is dangerous to the person and to everyone around them but people don’t talk about it. Sometimes this lasts a day, sometimes two weeks. This is often the face movies take when they show bipolar disorder. Stephen Fry made a wonderful documentary on bipolar disorder called the Secret Life of the Manic Depressive. In it he shows the realistic side of bipolar disorder as someone who suffers from it. It’s well worth the hour it takes to watch it:

Stephen Fry: The secret life of the manic depressive from Keenan Laskin on Vimeo.

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Nevermind the Essays, Here Comes the End of the Year Blog Post (with music)

Nevermind the Essays, Here Comes the End of the Year Blog Post (with music)

The end of 2014 is fast approaching and with it inevitably will come end of the year blogs, “keeping to your goal” tips and articles that look forward to 2015 with a certain degree of cynicism. The following has most of the first and a bit of the latter but I can assure you it will contain no weight loss tips. It will, however, contain a picture of me (Kat) and Pepsi (my cat) they will not be labelled and thus I apologize if you can’t tell the difference.


This year hasn’t exactly been an easy one for me. I came into 2014 without a job and no real leads for finding one. The hotel I had been working at closed down and everyone lost their jobs. The building, once apartments in the 70s and then hotel suites now exist as one and two bedroom apartment/condos. I was (and still am) done with hospitality and had my mind set on one of two options: administrative or back to working with animals. I had many sleepless nights as anyone who has been unemployed can attest to, finding a job is depressing and boring and worrying. Everyday without a job can feel like a step towards being that way permanently. I constantly thought, “what if I don’t find something? What if I have to settle for something bottom of the barrel just to make ends meet?”

Job wise I eventually found something, a job I never even considered for myself but that fits like a glove with an amazing work environment. It’s not working with animals but sometimes all the other perks make up for that fact. It allowed me to wipe that worry out of my mind and take stock at what I wanted to do, and not what I needed to do.


This has been the year of lost and found. Of looking around, realizing I’m terrified about what’s around me and looking inside to find something to shield myself with. A lot of the internal soul-searching has happened in this year mostly focused on trying to “fix” bits of me that I didn’t like, ie: my ability to give up the moment the going gets tough, my ability to avoid groups of people I didn’t know like they have the plague and my fear of new things.

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